A forum for discussing and organizing recreational softball and baseball games and leagues in the greater Halifax area.
New metroidvania
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Contact me in private if you need a programmer. I have my own game engine, but I'm willing to work with other engines.You can't just, independently, as a single person, "have your own game engine". It has to be designed for a specific type of game, with a specific style. You don't have the time or resources to develop one that is an omnibus toolbox. Even then, people should be using Godot now, especially indie developers. Spend the time and resources enriching an existing open-source game engine.
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Absolutely this. If we're going to take a Metroidvania as an example of this lesson, let's take Environmental Station Alpha. The game has a ton of potential as a good Metroidvania that is buried in a thick armor of speedrunner-level difficulty. I have never seen a Metroidvania be so stingy about health tanks, and this game desperately needs all of the health tanks you can get. It stinks of a developer team playtesting the hell out of their own game, and making difficulty decisions based on years of their own self-testing experience. When you release a game with a Normal difficulty, no Hard difficulty, and then are forced to create a Easy difficulty *after release*, you know you've fucked up. Here's how you do it: You can playtest your own game, but that one gets the "Hard" label. If you playtest for a Normal difficulty and you can't imagine how to create a Hard difficulty, the difficulty range is completely off. And Hard doesn't mean "only people in the double-digits can beat it". That's not even a scale, or just reserve that for some "Impossible" difficulty, if you want to get to 5-6 levels, like Doom does. Normal should be some reasonable setting based on how others playtest the game. Get some expectations from your playtest audience in terms of the kinds of games they've played and beat before. Are they complete noobs to any sort of fast-paced gameplay, or have they beaten other Metroidvanias or games like Cuphead? Based on that, figure out whether the advice they give you applies to an Easy or Normal difficulty curve.
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Strong female protagonist Glib sense on humour Abundant reference to potatoesAre we remaking Attack on Titan?
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There's plenty of moments in hollow night where it can be way more than just 3 screens. Especially when you're exploring places for the first time and doing know where the next bench will be (I felt like there was no way near enough benches too). It's what made me eventually drop the game. I didn't find it hard, I just could not be arsed. Felt like a waste of time when I've got so many other games bI could be playing instead of playing the same 10-15 minutes of gameplay over and over again. I love metroidvanias too. One of my favourite genres.
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You can't just, independently, as a single person, "have your own game engine". It has to be designed for a specific type of game, with a specific style. You don't have the time or resources to develop one that is an omnibus toolbox. Even then, people should be using Godot now, especially indie developers. Spend the time and resources enriching an existing open-source game engine.
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It's written in Brainfuck, but it's really really good. Trust me, bro!
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I never completed Breath of the Wild in large part due to getting something cool and just having it be worthless and broken soon after. I also tend to have very little time to devote to gaming so it just felt like a waste to have to stop, go hunt down something better than randomStickLevel3, and go back to do something again. If I wanna hoard things or risk a lot to get something cool/strong early, that's my decision; why do you get to dictate how I play a game? Especially true when some people may not have the same physical ability as you and need to make certain situations play out differently.BOTW took the item breakage too far. You couldn’t even kill a Lynel *with its own weapon*, because it would break before the Lynel died. The durability could have been quadrupled, and the game would have been better. It would still be enough to encourage rotating your items, but not so much that you’re constantly swapping mid-fight.
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Appearance, story, setting, and style are all mostly secondary to the mechanics and design of the game. Strip away the appearance of metroidvanias and you have a platforming maze with gated areas unlocked through progression. The overall maze of the game should ideally be enough to get lost in. Whether the world is going to be procedurally generated or predesigned, or some combination should be figured out early on. Even if progression is linear the access to and pathway through the maze should likely not be a straight line. It is very common to see or view inaccessible late game areas in the early game, for example. The gates of the game traditionally come in the form of new movement options. The reliables are usually: (double) jumping, running, slide/rolling, climbing, swimming/sinking, flying/gliding and so on. Choosing how and where the player may access these is important. This is to say: player movement is the game. Another common 'key' to gates is something that allows the player to defeat an enemy or boss they could not previously defeat, or otherwise access a new area. A notable example being metroid's ice beam. Freezing enemies gives the player new platforming options: and new movement in the game. Good new metroidvanias are aware of what has been done before and try to innovate on those tropes.But also, don’t fucking do what Metroid Dread did, and try to defeat sequence breaks. The Dread devs went out of their way to ruin speed runners’ experiences, by basically fighting against sequence breaks at every opportunity. Sequence breaks aren’t something the average player should be able to do accidentally, but don’t try to actively stop it either. Maybe someone discovers that a particular platform normally requires a double jump to reach, but can be reached by kiting an enemy across the room and using some well-timed damage knockback to get a boost in height. This obviously isn’t intended gameplay, but it may be something that speed runners learn to do reliably, because getting the double jump ability adds 10 minutes to their route. *Don’t fucking patch that out as soon as you learn about it*, because you’ll just stifle any interest that speed runners have in your game. And in a decade, there’s a very good chance that the *only* people keeping your game relevant will be speed runners.
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>There's plenty of moments in hollow night where it can be way more than just 3 screens Name them. I'd be happy to counter.I mean it happened to me a few times when exploring. I don't know the names of the places. It was still kinda early on. I think the messy place I tried to enter was the mushroom place? And i kept dying in there then had to travel what felt like half of a full zone to get back there because i had yet to find a bench in there.
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Hey, hi everyone. We here at IronRaven decided to make a metroidvania, in the style of Dieselpunk and the 20s, art deco, art nouveau and so on. Tell me, what is the most important thing for you in metroidvanias, besides their appearance?Too many metroidvanias have abilities that work more like keys - they open a door that gives access to a new area of the game. A better ability is something that changes how the game fundementally plays, or makes old areas feel fresh. Starting the game with sufficient movement is a big one. Hollow Knight starts with too few movement abilities, and the beginning is slow.
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Take it a step further: include an option to disable all cutscenes and a speedrunning mode with in game timer.
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Too many metroidvanias have abilities that work more like keys - they open a door that gives access to a new area of the game. A better ability is something that changes how the game fundementally plays, or makes old areas feel fresh. Starting the game with sufficient movement is a big one. Hollow Knight starts with too few movement abilities, and the beginning is slow.Oh, we have a small but diverse plan from the very beginning. Firstly, we are planning a metroidvania shooter, which immediately imposes faster mechanics. And we are also planning interesting buffs and debuffs with consumables
I wonder if it will be possible to immediately add movement, but maintain balance?
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Absolutely this. If we're going to take a Metroidvania as an example of this lesson, let's take Environmental Station Alpha. The game has a ton of potential as a good Metroidvania that is buried in a thick armor of speedrunner-level difficulty. I have never seen a Metroidvania be so stingy about health tanks, and this game desperately needs all of the health tanks you can get. It stinks of a developer team playtesting the hell out of their own game, and making difficulty decisions based on years of their own self-testing experience. When you release a game with a Normal difficulty, no Hard difficulty, and then are forced to create a Easy difficulty *after release*, you know you've fucked up. Here's how you do it: You can playtest your own game, but that one gets the "Hard" label. If you playtest for a Normal difficulty and you can't imagine how to create a Hard difficulty, the difficulty range is completely off. And Hard doesn't mean "only people in the double-digits can beat it". That's not even a scale, or just reserve that for some "Impossible" difficulty, if you want to get to 5-6 levels, like Doom does. Normal should be some reasonable setting based on how others playtest the game. Get some expectations from your playtest audience in terms of the kinds of games they've played and beat before. Are they complete noobs to any sort of fast-paced gameplay, or have they beaten other Metroidvanias or games like Cuphead? Based on that, figure out whether the advice they give you applies to an Easy or Normal difficulty curve.Thank you for writing out your opinion! However, for now we are planning not to make any divisions into different difficulty levels at all. As in more classic metroidvanias, we want to make a single difficulty level for everyone, which ranges from difficult to normal
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Thanks for your opinion! We wanted to do it like in Dark Souls, that you need to go to the place and pick up souls. Although, I want to think about mechanics like the one in the game Blasphemous, if I'm not mistaken. That you can return souls to yourself for some item without reaching the place. We need to think about it. And about bosses - of course. This pisses me off myself
That's why the bosses will have an epic exit. But after - get ready to fight right away
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Counter to this: Don't cater to noobs. Hollow Knight is one of the GOATs because it's hard, but *extremely* fair. Learn the patterns, and any boss can be beaten hitless; explore properly, and any boss can be returned to rematch -- after a death -- from a bench in 1 to 2 screens (late game even has a teleport ability!).Honestly - we don't want to please more casual players unless it's part of balancing difficult moments. For example, considering the speed of combat, one of our refs is Laika: Aged Through Blood. But ours is still slower, so there will be features of classic metroidvanias in the mix. Simply because the player will have a gun in his hands. In the future - with various improvements
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I mean it happened to me a few times when exploring. I don't know the names of the places. It was still kinda early on. I think the messy place I tried to enter was the mushroom place? And i kept dying in there then had to travel what felt like half of a full zone to get back there because i had yet to find a bench in there.